Theater
Rachel Hanauer Dials Up the Opera with Who’s Calling? for Two Nights Only
The popularity — and profitability — of programming an evening of one-act plays is quite undeniable for most smaller theaters. ...
Mom’s Gift at Attleboro Community Theatre: Hey. Boo!
Phil Olson is not a well-known playwright, and most of his output has involved rewriting classics into the rather hyperlocal ...
The Mousetrap Is Familiar, but Academy Keeps it Fresh
While watching the Academy Players’ current production of Agatha Christie’s The Mousetrap this week, it occurred to me that one ...
Stadium’s Sister Act Is a Fun Night of Theater
The Stadium Theatre’s production of Sister Act may not take you to heaven (especially considering some of the devilish humor ...
Something Wicked This Way Comes: Trinity’s Macbeth fails to recognize the price of ambition
For those who prefer their Shakespeare done “traditionally,” times are tough. The idea of what constitutes traditional staging of Shakespeare’s ...
The Revolutionists: A Retelling of Herstory
You know you’re about to have a few laughs when the curtain speech over the sound system starts with, “Bonjour ...
Arctic’s Life in the Theater — it’s About Time
David Mamet used to be one of the most heavily produced playwrights in the country with smash hits such as ...
Everett’s Good Grief Explores the Trauma Beneath Our Masks
The moment the lights go to black, the audience is captivated by a film of water that slowly becomes backlit to ...
Three Point One Four
Dust off your rolling pins, kiddies. It’s contest time! In honor of their May performance of Waitress, the Providence Performing ...
A Conversation about Black Odyssey with Joe Wilson Jr.
It’s commonplace in theater for a show to get a lot of press leading up to its opening, then reviews, ...
